Wednesday, 18 December 2024

Noxas


I am travelling (at what feels like night) on a bus, sitting on an aisle seat on the left hand side, about half way up the coach. It seems we are bound for Greenock and I am worried that I will miss my stop (as I am not at all familiar with the route). Having come to a halt I am unsure if I should get off here or at the next stop (for what it transpires is a connecting ferry service). Is it too early to get off? I ask the driver at the last minute and he advises me to disembark. The man seated across from me (who just so happens to look like the actor John Saxon) on the aisle is displeased and shouts down to the driver that he's not satisfied and will be making a formal complaint-

In my dash (across a stony beach) from the bus to the waiting ferry I scrabble across the rough surface. Stopping to take stock for a moment I realise I have lost everything from my scabby, useless wallet. In a panic I scramble back towards the bus where the driver (who now also resembles the film actor John Saxon) points out that my I.D. / Season ticket are in fact scattered on the stones. I quickly gather these up, equal parts reassured/troubled that I have £15 secreted in a pocket somewhere-


I am indoors and I am hoovering. A young girl (with learning difficulties) is in charge of the vacuum's hose attachment while I monitor some sort of filter flap at the rear of the body near the floor. This filter keeps jamming and whining as there are trailing threads(?) within the hoover which keep catching. The main body of the hoover itself is a large, bulky washing machine-esque object. The actress Kristen Scott Thomas is also present and she gives occasional instructions. At first the going is quite good but becomes steadily worse and worse, the floor (that we've already hoovered) somehow again covered in straw, stones and paper clips. I ask the young girl to start picking up the larger objects as I take over the directing of the hose-

Wednesday, 11 December 2024

Eeoteezoop


I am with my cartoonist friend Jay Emm and a.n.other. We are indoors and are walking from one room to the next. Something is deeply troubling me as we do so, something about Jay needing to be in the company of two people because it means he's going to...

… commit murder! As the door to this shadowy room shuts behind us I have this sudden realisation... but too late! To my complete terror Jay – who is now nothing more than a blurred, lumpen silhouette – pounces on my companion and proceeds to stab him rapidly several times. I am completely petrified as he stops, turning his attention to me-

I am in a crowded club/student union watching a DJ. The place is rammed, the DJ booth just over to my left. I know that this is the support act and I am highly anticipating the headliner. It looks as if I am alone in this as the place rapidly empties as the DJs change over. What's worse is that my (old) friend Cee Cee is among the few people remaining. I really do not want to talk to him as he comes over having spotted me-

I am now out in the street, balancing up on the kerbside and trying to avoid upsetting some magic tricks as performed by a few older men-

I am on some sort of coastal road travelling at dusk, the light slowly fading. I am perched on a sort of small tubular metal crucifix finished in a while gloss paint dip. This unusual object is my means of transport – I keep catching on the ground or am unable to negotiate rough surfaces, all the time conscious of a family(?) in gentle pursuit-

Wednesday, 4 December 2024

Mottob


It seems I have booked in on a coach trip to see The Charlatans play a concert in Dublin (and the gig has finally been rescheduled due to the Coronavirus pandemic). As luck would have it I discover, after some initial confusion, that The Orb are playing later the very same night. So, assuming both gigs are still going ahead, I'm hoping to not only catch both concerts but also to see my old friend Dee Bee-


Unbeknownst to Dee Bee, myself and my old friend Arr are standing outside his (dreamescape bungalow) house, waiting by the hedge and peeking over into his front garden. Only Dee Bee's wife/partner and her pal are there, two chubby and jolly women discussing homemade sweets. “He'll like bonbons”, says Dee's partner, one of several remarks about the obvious delicacies she has made (for him)-

Within a flash (as per the dreamescape) the two women vanish to be replaced by Dee himself. We can just see his head and shoulders when suddenly he flops up and off his seat and waddles into full view, his formerly trim body ballooned into a wobbling, comical flabby ball shape. Although he doesn't acknowledge us he begins to act up, preforming little comedy trips and slides that would be quite amusing but for the fact he looks so ridiculous and bloated. “So not a good look”, remarks Arr-


I am watching Rik Mayall and Adrian Edmondson perform 'Bottom: Live', and I am both enjoying the performance and (as is my creative curse) often thinking beyond it and analysing it. At present they are being struck on the head in turn by a huge suspended wrecking ball. This happens a couple of times to each. After, as they recoil and recover, Ade/Eddie begins his next lines. It's then that blood becomes quite noticeable on Rik/Richie's right temple, a small trickle just at the hairline. The splotch gets steadily more bloody as Rik halts his performance to acknowledge it. Eddie has stopped too and the audience holds its breath. It is, of course, a cunning ruse and the pair of them turn, their faces contorted into smug, sneering 'gotchas!'. (As this has all been going on I clicked at the trick, marvelling at how Ade's behaviour must have drawn the audience attention away from Rik to allow him to place/puncture the blood bag.)-